ADOBE PREMIER MANUAL

The audio channel in the timeline can be expanded for more accurate editing in one of two ways: either with the button bottom-left or by right-clicking the clip in the timeline and choosing Expand audio. Though not as in depth as youРІР‚в„ўd get on desktop software like Premiere Pro, these are intuitive and easy, not at all as fiddly as audio editing can become.

ADOBE PREMIER MANUAL

ThereРІР‚в„ўs a useful selection of audio adjustments you can make: both manual and auto volume levels, noise and echo reduction, and speech enhancement (which raises or lowers the pitch). The audio options are fairly straightforward, and may be too basic for some (Image credit: Jason Parnell Brookes)Р”Р„s well as adding music and effects, you can record voiceover directly into Premiere Rush.

However, we would like to see the addition of an ability to right-click media files (whether audio, video, or titles) in the project panel and open their file directory on the local storage, if only to keep track of where each project is stored, though we understand AdobeРІР‚в„ўs affinity for storing via the creative cloud. ItРІР‚в„ўs so intuitive to use that almost anyone could work through it, even without a tutorial to guide. Select the file you want and click the Add button to add it to the timeline. It renders each media file in neat 1:1 squares within the panel and has plenty of negative space to the margin on the left which maintains the decluttered workspace that Adobe is clearly aiming for.Р”Р‡rom here you can filter by file type, and sort by name. Click the folder bin icon on the left of the window and itРІР‚в„ўll open up the Project panel which houses all the media youРІР‚в„ўve imported for your edit. Premiere RushРІР‚в„ўs workspace is laid out chronologically, from import, to editing, left-to-right. Premiere Rush's layout is pretty easy to get to grips with (Image credit: Jason Parnell-Brookes)

Adobe premier